Ela Minus – DÍA

The second album from the Brooklyn-based Colombian is a late night treat.

Ela Minus – DÍA
2025
From the Archive
Review by Juan Edgardo Rodríguez
Originally published 23 January 2025.

Ela Minus has been striving to look inward since she released 2020’s acts of rebellion. On her debut album, the Brooklyn-via-Columbia artist felt compelled to empower anyone struggling with their internal demons to move past that difficult first step, capturing that spirit through icy dance beats without losing a beat.

Such is Minus’ talent for delivering swift, euphoric pleasures that often overpower the message. Her follow-up, DÍA, similarly displays different approaches that build off from her previous release. Given how the hypnotic, winding techno of “BROKEN” builds and builds after an instrumental opener that sounds undeniably big in concept, it’s a good problem to have. Self-reflection is a recurring theme throughout the album, whether she’s absorbing (“IDK”), demolishing (“ONWARDS”), or owning her thoughts (“I WANT TO BE BETTER”). But when the latter goes into overdrive effortlessly a la Garbage circa Version 2.0, it’s best to seize the moment and leave the worries out the door. On the industrial clang of “ONWARDS,” another highlight here, Minus echoes back her defiance by referencing one of Trent Reznor’s most biting statements: “Now I see/that we need to feed/the hand that feeds.”

Minus openly captures the messy beauty of growth in real time in DÍA. And while she sometimes structures these songs a tad oblique, having rewritten some for three years straight, Minus understands that it’s better to ease, rather than scrutinise, every aspect of the songwriting process. But never, ever should it be an afterthought.

DÍA was released on 17 January 2025 via Domino Recording Co.

Rating: 7

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