Film Reviews
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The Best Exotic Marigold Hotel (John Madden)
With its starry cast and far-flung location, it was inevitable that The Best Exotic Marigold Hotel would become a hit at the UK Box Office. But is it actually any good?
Mark Davison hopes he dies before he gets old... -
The Artist (Michel Hazanavicius )
On the heels of its Oscar win, No Ripcord finally decided they should review the "Best Picture of 2011." So now, instead of examining whether it lived up to the hype, we can look at the movie once again as a movie. So, does it succeed on its own terms?
Forrest Cardamenis talks with... -
Shame (Steve McQueen)
After tackling the IRA with their first collaboration Hunger, Steve McQueen and Michael Fassbender continue to embrace the controversial by looking at sex addiction. But is Shame anything more than gloomy, big budget erotica?
Mark Davison could do with a long shower after this... -
The Turin Horse (Béla Tarr)
Beginning with the tale of Nietzsche’s descent into madness, the film is Tarr’s heavy valediction as a filmmaker that is reinforced by minimal dialogue and lengthy takes in an ostensible real-time degeneration.
Grant Phipps observes... -
The Descendants (Alexander Payne)
Alexander Payne re-asserts himself as one of the greats with a humane drama generally lacking in acerbic satire.
George Booker admires... -
Young Adult (Jason Reitman)
From the creative minds that gave us Juno! Uh-oh.
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Midnight in Paris (Woody Allen)
Evocative of his 1979 masterpiece Manhattan, the film echoes the same fondness for milieu and nostalgic definition of place but drives into the realm of low fantasy with generally successful results.
Grant Phipps discovers... -
Tabloid (Errol Morris)
An exercise in discerning fiction from truth, the film presents Joyce McKinney as the perfect tabloid production, whose public affairs began in 1977 and continue to this day.
Grant Phipps scans... -
Melancholia (Lars Von Trier)
Lars Von Trier, European cinema's arch-provocateur, has finally had enough and, in a fit of pique, has decided to destroy everything including, perhaps, his career. Melancholia is his art-house take on the disaster movie, which, as a film pitch sounds... well... disastrous. Can the notoriously divisive director win over his critics?
It's the end of the world as we know it, and Mark Davison feels fine... -
We Need To Talk About Kevin (Lynne Ramsay)
Tilda Swinton stars in the adaptation of Lionel Shriver's Orange Prize-winning novel about a boy who seems beyond all hope.
Joe Gastineau supplies the words...
