Believe the Hype - No Ripcord Recommendations

  • Helado Negro This Is How You Smile

    Where his earlier work took a more experimental tone and was built around both samples and field music, his music has shifted gradually over time toward a more organic sound that arguably reaches new heights here. On Please Won't Please, an otherwise anxious beat is draped in glimmering synths and warm pianos. Steel drums appear towards the end of Imagining What To Do, as they add soft splashes of color to the gently plucked acoustics and breezy string section. Running begins with a gust of wind that gives way to a slow tumbling beat which carries a gorgeous melancholy piano refrain.
  • Foals Everything Not Saved Will Be Lost - Part 1

    White Onions slides in as a reminder that Foals probably could release a 10-song album of straight-up indie rock bangers along the lines of Red Socks Pugie and Two Steps, Twice if they want to, while In Degrees is a song that revels in taking ridiculous turns. Sporting a funk bassline that leads to a chaotic conclusion—reminiscent of Remain in Light-era Talking Heads, it doesn’t sound like anything else in Foals’ catalog, but it might just better most of it.
  • Sharon Van Etten Remind Me Tomorrow

    The changes in Van Etten’s life are reflected on two of the strongest singles she’s ever written. Over the synth-heavy stomp of Comeback Kid, she sees her own life mirrored in the eyes of others. “Kid at the top of our street/I was somewhat like him, I was somebody,” she sings as the music propels forward. The powerful rhythms and synths of Seventeen would fit perfectly on Born in the USA, with Van Etten looking back at her time in New York City as a teenager. As she thinks about her younger self and all the good and bad in front of her, Van Etten gives an all-time great vocal performance, screaming out “I know that you're gonna be/You'll crumble it up just to see/Afraid that you'll be just like me.”
  • Deerhunter Why Hasn't Everything Already Disappeared?

    Tonal changes aside, those worried if Deerhunter have stepped away from their feverish art rock needn't worry. Futurism is one of their most sparkling tracks to date, as it enjoys one of those chromatic guitar riffs (accomplished with the assistance of White Fence's Tim Presley) they've been writing since their Microcastle days. And then there's the piano-led chug of What Happens to People?, a meditation on what it means to lose your goodwill which possesses one of their most textured soundscapes - Cox channels some of the languid allure of Nico from a performance standpoint, a more subdued, yet comparable take to the tight musicianship of fan favorites like Desire Lines and Nothing Ever Happens. There's something oddly bewildering about how Deerhunter subvert their wailing guitars with a muted, if classicist, technique.